1Symphony No. 4, "Espacio quebrado" (1987): I. Quasi star: Amplio (attacca)
2Symphony No. 4, "Espacio quebrado" (1987): II. Hiperborea: Ritenuto e calmo (attacca)
3Symphony No. 4, "Espacio quebrado" (1987): III. Almost a Rock: Giusto ben marcato (attacca)
4Symphony No. 4, "Espacio quebrado" (1987): IV. Solaris: Amplio e sostenuto
5Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): I. Achinech (Tenerife): Calmo e amplio
6Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): II. Ferro (Hierro): Con tensione expresiva
7Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): III. Avaria (La Palma)
8Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): IV. Maxorata (Fuerteventura): Con molta intensita expresiva
9Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): V. Tyteroygatra (Lanzarote): Deciso
10Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): VI. Amilgua (Gomera): Giusto giocoso
11Symphony No. 5 (1989), "Modelos de Universo" (Models of the Universe): VII. Tamaran (Gran Canaria): Con moto
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