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Lucy Scott

The Valse-Ballet Was Not Only Satie’s First Substantial Piece…

Lucy Scott

Great Composers in Words and Music: Erik Satie

2 MINUTOS Y 36 SEGUNDOS • AUG 26 2022

Lista de canciones del álbum

1
Introduction
00:07
2
3 Sarabandes: No. 2, "à Maurice Ravel" (Excerpt)
01:03
3
On 16 January 1911, French Composer Maurice Ravel…
08:16
4
Gnossiennes: No. 3, Lent (Excerpt)
01:42
5
An Extract from the Third Movement of Satie’s Gnossiennes…
06:14
6
Valse-Ballet (Excerpt)
01:28
7
The Valse-Ballet Was Not Only Satie’s First Substantial Piece…
02:36
8
4 Ogives: No. 1, Première Ogive
01:46
9
In November 1886, Satie Left the Conservatoire…
03:12
10
3 Gymnopédies: No. 3, Lent et grave (Arr. C. Debussy for Orchestra) [Excerpt]
00:59
11
In the Spring of 1890, Satie Moved Higher Up…
03:51
12
3 Sonneries de la Rose+Croix: No. 1, Air de l'ordre (Version for Piano) [Excerpt]
01:36
13
On 14 August 1892, After a Short but Intense Period…
03:12
14
Vexations (Excerpt)
01:22
15
Satie’s Outward Appearance Was Soon to Change…
04:16
16
3 Morceaux en forme de poire (Excerpt)
00:45
17
The Pear Pieces, Finished in November 1903…
01:46
18
En habit de cheval: No. 2, Fugue litanique (Excerpt)
01:17
19
1911, of Course, Was the Year of the Breakthrough Concert…
03:58
20
Sports et divertissements: No. 1, Choral inappétissant
00:43
21
The Commission of Sports et divertissements…
02:01
22
Parade: IV. Petite fille américaine (Excerpt)
02:35
23
There Was Quite a Commotion at Parade’s Premiere…
04:05
24
Musique d'ameublement, Set 1: No. 1, Tapisserie en fer forgé (Arr. for Piano 4 Hands)
01:25
25
Curiously, the Function of Satie’s Musique d’ameublement…
03:13
26
Mercure, Scene 3: Le Chaos
00:35
27
Mercure, Like Parade, Created Quite a Stir on Its Premiere…
03:42
28
Relâche, Act I: Cinéma (Excerpt)
01:15
29
In a Sense, Critics’ Response to Relâche…
02:41
30
Relâche, Act II: Petite danse finale; La queue du chien (Excerpt)
00:34
31
Great Composers in Words and Music: Erik Satie
00:00
Great Composers in Words and Music: Erik Satie
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The Valse-Ballet Was Not Only Satie’s First Substantial Piece…
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